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May 2 2002 to Jun 15 2002
Exhibiting an uneasy tension between manifestation and meaning, Garry Neill Kennedy’s work consistently strives to penetrate the artfulfulness of surface in order to explore what aesthetic conventions simultaneously convey and conceal. As...
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May 2 2002 to Jun 15 2002
The intersections where cultures converge are histories unto their own. Through acts of trading objects and ideas, all cultures are able to progress, which is to say that tradition and culture are always evolving. The combination of...
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Mar 7 2002 to Apr 20 2002
Rencontre du 3e type (Encounter of the Third Kind) is a collection of wearable objects Corine Lemieux has produced for people in her social circle over the last year; technically, it is an ever-evolving project that should never end.
A...
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Mar 7 2002 to Apr 20 2002
There are reports of a presence inhabiting Gallery 101: an unsettled spirit, or spirits. Echoes of past inhabitants. For some, it is an audible presence moving through the building. Others hear nothing. Sceptics say ghosts do not exist.
"A...
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Mar 7 2002 to Apr 20 2002
Kevin Ei-Ichi deForest's productions move between humorous high art objects and serious pop culture proposals. Often they are interactive, with participants spinning discs or clambering into hybridized art/furniture. As objects occupying...
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Jan 10 2002 to Feb 23 2002
Balancing Act invites viewer participation in the construction of a group of three-dimensional blocks made from two-dimensional photographic images die-cut into flat pattern shapes. The photographic images represent a range of moments from...
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Jan 10 2002 to Feb 23 2002
We all feel a sense of comfort in our home, whether it is an apartment, a loft, a house or a duplex. Still, we continue to dream of renovations, finished basements, walk-in closets and gardens. Popular magazines like House and Home, Better...
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Jan 10 2002 to Feb 23 2002
The evidence has been gathered. The truth though is I am stuck. I learn about Karen Henderson's plans, yet underlying all along has been my certainty that I know nothing about it at all. I could describe intentions and the moving of...
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Oct 25 2001 to Dec 1 2001
With "Uncomfortable Surfaces" in 1994, the Japanese artist Yuichi Higashionna established the domestic motifs he uses in his current work. These refer decidedly to the field of appearances, where aspirations towards a higher social status...
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Oct 25 2001 to Dec 1 2001
The apparently craft-like methodologies utilized by Rhonda Weppler in her sculptural works are actually rooted in strategies of minimal sculpture; the void at minimalism's core is here transposed to the domestic world. If minimalism...
