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Oct 28 1999 to Dec 4 1999
Face Value investigates how three artists, adopting neither a utopic nor antagonistic attitude toward painting, uphold an unapologetic and integral relationship with its historical tradition, including a recognition and exploitation of its...
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Oct 28 1999 to Dec 4 1999
In the past five years, Levergneux’s art practice has incorporated photography and digital imaging as devices to express her interest with personal memory and identity. The computer provides her with the means to manipulate, edit, and...
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Sep 11 1999 to Oct 16 1999
MACHINATE: a projection in two movements is a multi-media gallery installation using 16mm film, video, audio, sculptural assemblage and the internet.
Departing from her previous work of still images and texts, MACHINATE includes "Kiss", a...
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Aug 5 1999 to Sep 4 1999
Is it safe to suggest that art, in all forms, questions authority? As our century draws to a close, we can glance back to the beginning and notice that each movement that emerged perceptually delved into the realm of inventing new ideas,...
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Apr 29 1999 to Jun 5 1999
Polymental takes the viewer on surprisingly divergent paths. According to Blatherwick, painting “is a conceptual pursuit which is made more human after being filtered through his admittedly quirky sensibility and translated via the...
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Apr 29 1999 to Jun 5 1999
McFadden’s Flats is part of an ongoing project in which the artist uses visual excerpts from old comic books, sketches, her own doodle approximations and mark-making, as well as details from previous works. The vocabulary of signs is the...
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Mar 11 1999 to Apr 17 1999
Bouchard and Drufrasne usually work independently but for a few years they have been working together in some occasions. Those collaborations are the result of a close relationship, a real friendship and numerous intellectual affinities....
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Jan 23 1999 to Feb 27 1999
This exhibition presents books in a variety of media demonstrating this important aspect of contemporary art production. Questioning the traditional forms of the printed book, these artists propose new forms, new contents and new ways to...
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Jan 23 1999 to Feb 27 1999
To enter the work of Donald Odita is to enter the honest mind of an artist at the crossroads. The crossroads, as it is in The Blues, that earthy though mystical place where the real world meets the aspirations of a world that could be,...
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Oct 29 1998 to Nov 28 1998
Cathy Mullen situates her work among artists, researchers and educators who attempt to articulate a framework for understanding what the art critic Suzi Gablik has called, “a new connective, participatory aesthetics, a value-based art that...
