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Terry Piercey is an artist from Sackville, New Brunswick now living in Vancouver.
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Incredibly Soft Sounds took the form of a group exhibition of audio art projects solicited from an open call for submissions. The theme suggests audio art projects solicited from an open call for submissions. The theme suggests audio art...
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Sandra Szasz pursued studies in fine arts and printmaking in Sao Paolo, Brasil and Montreal, Quebec.
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Born in Ottawa, Jeannine Schryer lives in Callander. The responsibility for artistic interpretation of the Northern Ontario natural environment is at the heart of her work. She creates visual art using a variety of materials and media.
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Claude Schryer’s electroacoustic and environmental compositions focus on spiritual, musical and interdisciplinary aspects of acoustic ecology. His professional activities are principally in the fields of electroacoustics, interdisciplinary...
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Eric La Casa is composer (electroacoustics), sound plastician (installation), and radio producer (ACR-France Culture). From 1989-1998, he was the director of the experimental Paris-based record label La légende des voix. He is also a...
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Brandon Labelle is an artist, writer and musician. His work over the past year has focused primarily on sound installation and aims to utilize the gallery space as an instrument. His artistic works explore questions of social life and...
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Terence Dick spent most of his youth listening to music rather than making it. In 1995, he began performing as one half of the The Rust Brothers, an experimental and improvisatory DJ team. They did a weekly show on CIUT in Toronto and...
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Originally from Ontario, Ian Cauthery recently returned from two years in Nova Scotia. He graduated from the University of Guelph in drawing and print-making, and later pursued a post-graduate course at Sheridan College in Oakville.
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Noreen Battaglia is a multimedia artist with an affinity for textiles. She graduated from the Nova Scotia College of Art and Design in 1992. She produced sound pieces for radio, computer video, mixed media installation and film animation....
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Mike Campbell works with utopian-inspired installations that deal with urban and natural environments. He has assembled exhibits that mix 2D and 3D images with sound that reference recreational sites, such as suburban parkettes and indoor...
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This multidisciplinary exhibition was initiated with a call for submissions inviting artists to consider the potential of language as a medium of urban interaction. The call focused on the ways in which language – particularly in its...
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Alan Harrington's community is Shoal Lake #39 Ontario and he is Ojibway. Alan enjoys taking pictures and the art that goes into them and would like to continue in this work. He loves sharing our culture with the world. Presently Alan...
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Craig Laberge was until 1995 Head of Design at the National Gallery of Canada where he supervised the production of many major exhibitions. He is now concentrating on independent projects, including an outdoor film-projection installation...
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Jean Dubois was born in Sherbrooke, Quebec, in 1964. He currently lives and works in Montréal. He recently took part of the Montréal Benniale in 2011.
For more information about Jean Dubois, click here.
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With the use of mbar, the keyboard and other percussion instruments, Ras Kagiso Mpala creates soothing peaceful reggae music. Based in Ottawa, Kagiso has performed in bands and also in solo performances.
To listen to music produced by...
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Tagny Duff is an interdisciplinary artist in Canada. She has exhibited her works locally and internationally. Her current research looks at the intersection of media and visual culture, with a specific interest in the conceptual,...
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Born in Belgium, Cecile Combien has been living in Canada since 1971. She studied Visual Arts at the University of Ottawa.
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The State of Viewing: Distinguishing Between Wayne and Shuster is a response to a number of concerns that can be placed under the loose heading of “civics”. In its two previous shows PLACE AND SHOW explored the relationship of artworks to...
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Dilemma…
It is perplexing to me, this need for the written word, this anxiety for print. Does Barbara Brown’s work need my writing to legitimize it? Explain it? Or define it? Of course not. I cannot. It is all the more a perplexing dilemma...